RAINY DAY, FROM A COFFEE SHOP
by Robin Shwedo
©: Robin Shwedo, 1996
Sitting here,
on a stool,
in a coffee shop,
watching the rain
snaking down the window,
pouring down,
smacking hard the road,
I feel disconnected,
vaguely alone,
while utterly attuned with all of life.
The dream-like state I’m zoned into
is like an old movie
black-and-white
Casablanca, maybe,
or something of that caliber.
Inside the shop is cocoon warm,
fogging the windows
slightly
which,
along with the rain
slithering down the windows,
makes the passing world appear surreal,
in a wavy
watery way.
A woman attempting to cross the street
carries packages
and a large umbrella;
it resembles a large flower:
ochre and gold in the center,
orange petals radiating to keep one dry,
while the bright green handle
is anchored to her hand.
People,
scurrying up and down the sidewalks
and across the streets,
are arranged in layers of brightly colored rain garb
over everyday clothes,
while long black, brown and grey trench coats
protect business suits.
A small child pulls loose from a parental hand
long enough to stomp and kick
splashingly
in a puddle.
Cars inch their way down the avenues and roads,
mains and alleys,
avoiding shallow lakes on road edges,
trying not to
slip
sloshingly
skid and
slide.
The various shades of grey
are like wet velvet
and water colors dripping off the pages,
streaks sliding down the glass,
dark around the edges,
lighter, soft and warm near the centers.
Slowly,
as the rain and cloud darkened afternoon
deepens into twilight,
bright and deep neon lights flicker
on
off
and finally
solidly
on,
their reflections dancing,
shimmering,
waving,
in the puddles,
pools
and wetness,
sensuous reds,
emerald greens,
passionate purples,
royal blues.
Cars haltingly
stop
and
startingly
inch
then
surge
along the roads,
headlights and taillights leaving long reflections
ahead and behind.
I lean towards the window
by the booth I sit at,
blow a puff of air,
fogging a patchy circle,
quickly drawing a flower
before it fades;
then,
leaning back,
I take a long
warm
drink of steamy cappuccino.
It’s amazing how cocooned
you can feel
on a rainy colorful wet day like this.
I drove cab for a few years, and wrote this while waiting for a fare on a cab stand outside a mall on a rainy day. The lights from the shops, the cars both in the parking lot and nearby streets, the people walking to their cars: all added to the mood of the day.
This is part of my collection titled Revolutionary Broads and Other Nightmares.
Poetry, Unassigned
Wednesday, May 28, 2025
Monday, May 26, 2025
SURREALITY
SURREALITY
by Robin Shwedo
©: Robin Shwedo, 1995
Driving home from a surreal afternoon,
the lights on the bridge remind me
of strings of pearls,
glistening,
glowing
against the grey velvet sky.
There are few cars ahead of me,
spaced apart,
their taillights like sparking rubies,
following the sensuous curve of the bridge.
Glancing when I can to my right,
the distant headlights on the north bridge
spanning the bay
are like diamonds,
glittering on their moving strands.
The pavement slowly drifts toward the left,
pointing the car into the soft sunset;
the clouds have parted just enough to turn
pale pink
and
peach,
soft as worn flannel,
drifting into the wet grey rose petal clouds.
Almost as quickly as a hummingbird’s wings,
the liquid colors turn,
becoming pale yellow,
pencil-sketched clouds
turning to charcoal.
The rise of the bridge pulls me towards the sky,
then slowly,
gently
lets me drop back to earth.
Maybe Van Gogh saw the world the way it really is,
swirling skies and all.
I wrote this shortly before writing Ybor Afternoon. There's just something almost magical about the lighting at sunset, especially if one is driving on a bridge with lights reflecting off the water underneath.
This is from the book Revolutionary Broads and Other Nightmares, which is looking for a publishing home.
by Robin Shwedo
©: Robin Shwedo, 1995
Driving home from a surreal afternoon,
the lights on the bridge remind me
of strings of pearls,
glistening,
glowing
against the grey velvet sky.
There are few cars ahead of me,
spaced apart,
their taillights like sparking rubies,
following the sensuous curve of the bridge.
Glancing when I can to my right,
the distant headlights on the north bridge
spanning the bay
are like diamonds,
glittering on their moving strands.
The pavement slowly drifts toward the left,
pointing the car into the soft sunset;
the clouds have parted just enough to turn
pale pink
and
peach,
soft as worn flannel,
drifting into the wet grey rose petal clouds.
Almost as quickly as a hummingbird’s wings,
the liquid colors turn,
becoming pale yellow,
pencil-sketched clouds
turning to charcoal.
The rise of the bridge pulls me towards the sky,
then slowly,
gently
lets me drop back to earth.
Maybe Van Gogh saw the world the way it really is,
swirling skies and all.
I wrote this shortly before writing Ybor Afternoon. There's just something almost magical about the lighting at sunset, especially if one is driving on a bridge with lights reflecting off the water underneath.
This is from the book Revolutionary Broads and Other Nightmares, which is looking for a publishing home.
Friday, May 23, 2025
THE WHISPER
THE WHISPER
by Robin Shwedo
©: Robin Shwedo, 1995
I am loud.
I love vibrant colors -
Pillarbox red, midnight blue,
emerald green, splashy yellow,
in-your-face orange,
and sounds so colorful,
they make your heart dance
like a whirling kite in a
high wind,
bobbing,
dipping -
flutes, wind, laughter.
The down side
is loving rainy days,
where the only color
is gray,
with the neon signs
reflecting off the
wet pavement,
and the wind howls
as it drives the downpour,
gusting across the road,
slapping legs and back.
I am loud,
and love extremes,
usually the intense,
boisterous ones.
And when I met the
man I love,
how did he call to me?
He whispered.
This was written during the mid-1990s and is part of my collection titled Revolutionary Broads and Other Nightmares. The book is currently looking for a publisher.
by Robin Shwedo
©: Robin Shwedo, 1995
I am loud.
I love vibrant colors -
Pillarbox red, midnight blue,
emerald green, splashy yellow,
in-your-face orange,
and sounds so colorful,
they make your heart dance
like a whirling kite in a
high wind,
bobbing,
dipping -
flutes, wind, laughter.
The down side
is loving rainy days,
where the only color
is gray,
with the neon signs
reflecting off the
wet pavement,
and the wind howls
as it drives the downpour,
gusting across the road,
slapping legs and back.
I am loud,
and love extremes,
usually the intense,
boisterous ones.
And when I met the
man I love,
how did he call to me?
He whispered.
This was written during the mid-1990s and is part of my collection titled Revolutionary Broads and Other Nightmares. The book is currently looking for a publisher.
Wednesday, May 21, 2025
Morning Walk, Misty Day
Morning Walk, Misty Day
by Robin Shwedo
©: Robin Shwedo, 2014
Heading out for a morning walk on a misty day,
beginning of the new year,
the thought crosses my mind to stay inside.
There's a fine mist going on from the grey skies
and there's a slight chill to the air.
Any other day, I'd think cold,
but since there's been a recent record freeze nation-wide,
it really isn't bad cold.
Grey hoodie zip-up sweatshirt, check,
long black pants, check,running shoes, check.Past several houses and I'm in the park,
turquoise shoes getting muddy
on the damp dirt path.
Somewhere nearby is a
rhythmic thump-thump-thump
of heavy equipment.
Finally spot city trucks,
working in the mist to
spruce up the park –
horse trails,
little league baseball fields,
life in a small town.
Dirt, split-rail fence, trees,
all various shades of brown,
held up by green grass,
capped by grey skies.
Nearby stable, red paint peeling in spots,
horses outside in the fields,
breakfasting on hay and water
in the mist
while the two women who work the stable,
one, the owner, the other, a friend,
muck out stalls,
dumping soiled offerings in a fence-in pile
to be carted off later,
then replacing it with fresh woodchips,
putting fresh oats and water in each stall
before bringing the horses, now wet,
back in to be dried, brushed, and put back in stalls.
A radio in the tack room plays a country station;
Dolly Parton's melodious voice travels across the mist
like a lemon-light beam, which drifts off as I head away.
To the right is a stand of cyprus trees,
looking like pine trees turning brown, losing needles.
The tan leaves mingle with the dark brown muddle path.
Just before crossing the wet street,
I hit the large button that switches on
the yellow caution – pedestrian crossing light.
The path – really a short dirt road – is equally muddy,
though lightly, mistily so.
In one of the townhouses that backs against
the drainage ditch next to the road
the twinkling lights of a Christmas tree
show through the partially open curtains.First thought: Do they realize it's January 9? Tree should be down already.
Who am I to say what's right,
what's wrong
in other people's lives?
Besides, the lights are cheery in the dreary misty mist.
A pale yellow box truck passes on the paved street ahead,
temporarily making a flash of color.
Finally,
I turn back,
pass the twinkling Christmas lights,
hit the flashing-caustion-pedestrian-crossing-light button,
see the barn, horses being brought inside,
the country DJ saying rain, all day,
hear the thump-thump-thump of the city trucks,
before unlocking the front door,
seeing two sleeping cats
and grab a cup of coffee.
Written on January 9, 2014 after a walk. I then sent a copy to my mother, who was in bad health. This poem is part of a new book of poetry tentatively titled Poetry for My Mother.
by Robin Shwedo
©: Robin Shwedo, 2014
Heading out for a morning walk on a misty day,
beginning of the new year,
the thought crosses my mind to stay inside.
There's a fine mist going on from the grey skies
and there's a slight chill to the air.
Any other day, I'd think cold,
but since there's been a recent record freeze nation-wide,
it really isn't bad cold.
Grey hoodie zip-up sweatshirt, check,
long black pants, check,running shoes, check.Past several houses and I'm in the park,
turquoise shoes getting muddy
on the damp dirt path.
Somewhere nearby is a
rhythmic thump-thump-thump
of heavy equipment.
Finally spot city trucks,
working in the mist to
spruce up the park –
horse trails,
little league baseball fields,
life in a small town.
Dirt, split-rail fence, trees,
all various shades of brown,
held up by green grass,
capped by grey skies.
Nearby stable, red paint peeling in spots,
horses outside in the fields,
breakfasting on hay and water
in the mist
while the two women who work the stable,
one, the owner, the other, a friend,
muck out stalls,
dumping soiled offerings in a fence-in pile
to be carted off later,
then replacing it with fresh woodchips,
putting fresh oats and water in each stall
before bringing the horses, now wet,
back in to be dried, brushed, and put back in stalls.
A radio in the tack room plays a country station;
Dolly Parton's melodious voice travels across the mist
like a lemon-light beam, which drifts off as I head away.
To the right is a stand of cyprus trees,
looking like pine trees turning brown, losing needles.
The tan leaves mingle with the dark brown muddle path.
Just before crossing the wet street,
I hit the large button that switches on
the yellow caution – pedestrian crossing light.
The path – really a short dirt road – is equally muddy,
though lightly, mistily so.
In one of the townhouses that backs against
the drainage ditch next to the road
the twinkling lights of a Christmas tree
show through the partially open curtains.First thought: Do they realize it's January 9? Tree should be down already.
Who am I to say what's right,
what's wrong
in other people's lives?
Besides, the lights are cheery in the dreary misty mist.
A pale yellow box truck passes on the paved street ahead,
temporarily making a flash of color.
Finally,
I turn back,
pass the twinkling Christmas lights,
hit the flashing-caustion-pedestrian-crossing-light button,
see the barn, horses being brought inside,
the country DJ saying rain, all day,
hear the thump-thump-thump of the city trucks,
before unlocking the front door,
seeing two sleeping cats
and grab a cup of coffee.
Written on January 9, 2014 after a walk. I then sent a copy to my mother, who was in bad health. This poem is part of a new book of poetry tentatively titled Poetry for My Mother.
Friday, May 16, 2025
ELENA, 1985
ELENA, 1985
by Robin Shwedo
© Robin Shwedo, 1985
Labor Day weekend,
the storm danced off shore,
debating whether to hit for a final vacation.
The week before,
she had slowly waltzed up the Gulf,
figuring on landing in Louisiana;
maybe the thought of some good food seemed tempting.
Then,
Friday night,
we all sat up,
glued to the t.v.,
watching as reports came in.
The storm veered east,
coming closer to the coast.
At 2:30 in the morning,
the evacuations began.
I call a nearby police department,
seeing if a friend's family is safe.
At the moment, she's my sister;
they'd ever give out info on a mere friend.
Their neighborhood's evacuated to a school;
all safe.
I finish the night
with the TV on,
playing game
after
game
of cards with my son
to pass the time.
Saturday,
the storm stalls,
churning up the water,
gathering strength.
The TV shows people boarding up;
the interview in the street,
the water cutting off access
into and out of the county.
Sunday,
everyone runs out of everything,
and rushes the grocery stores.
No one has any bread;
it has all sold out hours before.
Instead,
we make due
with English muffins.
We wait in line forty-five minutes;
ten checkouts open,
and still the wait.
People leave the line
for the free coffee
in white styrofoam,
bringing back steaming liquid
for those who've saved their places.
People who have never met
talk like old home week,
laughing over the
most ridiculous things.
Leaving the store,
we discover that
the hurricane has tired of the sun coast,
and, turning,
hurries
on its
original course,
and heads for
good ol' Creole cooking.
In 1985, Hurricane Elena sat off the Florida coast for several days before turning and heading for Louisiana. This is part of my poetry collection titled Love, Feelings and the Seasons of Life, currently looking for a publishing home.
by Robin Shwedo
© Robin Shwedo, 1985
Labor Day weekend,
the storm danced off shore,
debating whether to hit for a final vacation.
The week before,
she had slowly waltzed up the Gulf,
figuring on landing in Louisiana;
maybe the thought of some good food seemed tempting.
Then,
Friday night,
we all sat up,
glued to the t.v.,
watching as reports came in.
The storm veered east,
coming closer to the coast.
At 2:30 in the morning,
the evacuations began.
I call a nearby police department,
seeing if a friend's family is safe.
At the moment, she's my sister;
they'd ever give out info on a mere friend.
Their neighborhood's evacuated to a school;
all safe.
I finish the night
with the TV on,
playing game
after
game
of cards with my son
to pass the time.
Saturday,
the storm stalls,
churning up the water,
gathering strength.
The TV shows people boarding up;
the interview in the street,
the water cutting off access
into and out of the county.
Sunday,
everyone runs out of everything,
and rushes the grocery stores.
No one has any bread;
it has all sold out hours before.
Instead,
we make due
with English muffins.
We wait in line forty-five minutes;
ten checkouts open,
and still the wait.
People leave the line
for the free coffee
in white styrofoam,
bringing back steaming liquid
for those who've saved their places.
People who have never met
talk like old home week,
laughing over the
most ridiculous things.
Leaving the store,
we discover that
the hurricane has tired of the sun coast,
and, turning,
hurries
on its
original course,
and heads for
good ol' Creole cooking.
In 1985, Hurricane Elena sat off the Florida coast for several days before turning and heading for Louisiana. This is part of my poetry collection titled Love, Feelings and the Seasons of Life, currently looking for a publishing home.
Thursday, May 15, 2025
I WILL NOT BE SILENCED
I WILL NOT BE SILENCED
by Robin Shwedo
©: Robin Shwedo, 1995
I will not be silenced.
You can try to quiet me
in any number of ways,
gently reasoning
through which I hear the
undercurrents of threats
(“Be a good girl, and I won’t get mad,”
to which I snarl, “Dogs go mad,
people get angry.” You retort,
“Bitch.”),
followed by blatant threats
and strong-arm tactics.
But -
I will not be silenced.
Close my mouth,
my actions will scream.
Shut my eyes;
my soul will see.
Plug my ears;
my heart will hear.
You can not quiet me.
Worse men have tried.
Only justice will tame my shouts;
only peace will calm my rantings;
only true love will settle me
without trying to master.
Only then will my loud voice calm to a whisper.
But, even a whisper is a sound,
so,
I will not be silenced.
Even if it is to say, “Thanks.”
From my collection titled Revolutionary Broads and Other Nightmares, looking for a publishing home.
by Robin Shwedo
©: Robin Shwedo, 1995
I will not be silenced.
You can try to quiet me
in any number of ways,
gently reasoning
through which I hear the
undercurrents of threats
(“Be a good girl, and I won’t get mad,”
to which I snarl, “Dogs go mad,
people get angry.” You retort,
“Bitch.”),
followed by blatant threats
and strong-arm tactics.
But -
I will not be silenced.
Close my mouth,
my actions will scream.
Shut my eyes;
my soul will see.
Plug my ears;
my heart will hear.
You can not quiet me.
Worse men have tried.
Only justice will tame my shouts;
only peace will calm my rantings;
only true love will settle me
without trying to master.
Only then will my loud voice calm to a whisper.
But, even a whisper is a sound,
so,
I will not be silenced.
Even if it is to say, “Thanks.”
From my collection titled Revolutionary Broads and Other Nightmares, looking for a publishing home.
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