REBEL
by Robin Shwedo
©: Robin Shwedo, 1995
“Sit down and shut up,”
he orders with a snarl.
I have been to hell and back,
seen things -
no, experienced them -
that no living being,
human or otherwise,
should know exists.
There are abuses which,
bad enough when done by unknown,
are a thousand times worse
when done in the name of love.
There are those who bully for what they want,
who fight without conscience against us all,
unless someone is brave enough to
STAND UP
and break the cycle.
Sooner
(or later)
the beaten spirit does one of two things:
either it breaks, withers and dies,
or becomes a strong warrior,
becoming one who will fight back against the wrong.
I have lived too much to go back.
Now, looking for new relationships,
I see through the gauzy,
glittery
starry-eyed good times,
and frequently see to the center,
the rigid unyielding core of a person.
I have to to survive.
And so,
I slide from the stool by the restaurant counter,
stand tall, strong,
and,
looking him straight in his surprised eyes,
state in a loud,
clear,
strong voice,
“I will not sit down.
I will not shut up.”
I know I've posted this poem here several times. But many of us, at one time or another, find ourselves having to stand up for what is right.
This poem is part of my book Revolutionary Broads and Other Nightmares, which is looking for a publisher.
Thursday, October 30, 2025
Wednesday, October 29, 2025
THE REVOLUTION WILL NOT REVOLVE AROUND YOU
THE REVOLUTION WILL NOT REVOLVE AROUND YOU
by Robin Shwedo
©: Robin Shwedo, 1995
The Revolution will not revolve around you.
It revolves around
people without jobs who want to work
who need to work
who strive to work
who’ve given up trying to work
within a system that strives to keep them down
while saying “no more safety net”
while letting children go hungry
while giving themselves humungous raises
and building more bombs and guns
to keep the underclass under them
but
The Revolution will not revolve around you.
It revolves around
the child who cries herself to sleep after a day
of abuse and neglect
while the child lovingly corrected cries
after being removed from home
and the child who hears “justice” but sees “injustice”,
who questions what he sees,
who questions the system,
who questions the questions,
who questions why,
and when and where and what and who
but
The revolution will not revolve around you.
It revolves around
those who’ll fight those whose ideas of profits and losses
don’t buy into what their
children and grandchildren will breath,
drink or eat in the years to come,
who feel that money is
more important than air,
more important that water,
more important than the future,
more important than anything else
including the fact that
The Revolution will not revolve around you.
Instead,
it revolves around those brave enough
to take on the system,
who strive to prove that justice for some
should be justice for all
and help to make that possible;
around those who see a need and try to
honestly and with courage
and passion
and compassion
try to solve it,
around those who see those
whom life has dealt harshly with
and who still struggle to stand up and fight
and who help them with a hand “up” not “out”,
around those who see the hunger
and strive to feed;
who see the abuse
and try to end it;
who see the hurt
and try to heal it;
and then, only then,
if you have the courage
to instigate this revolution,
then and only then will
the revolution involve and revolve around you.
This was written during the mid-1990s and is part of my book Revolutionary Broads and Other Nightmares which is looking for a publishing home.
by Robin Shwedo
©: Robin Shwedo, 1995
The Revolution will not revolve around you.
It revolves around
people without jobs who want to work
who need to work
who strive to work
who’ve given up trying to work
within a system that strives to keep them down
while saying “no more safety net”
while letting children go hungry
while giving themselves humungous raises
and building more bombs and guns
to keep the underclass under them
but
The Revolution will not revolve around you.
It revolves around
the child who cries herself to sleep after a day
of abuse and neglect
while the child lovingly corrected cries
after being removed from home
and the child who hears “justice” but sees “injustice”,
who questions what he sees,
who questions the system,
who questions the questions,
who questions why,
and when and where and what and who
but
The revolution will not revolve around you.
It revolves around
those who’ll fight those whose ideas of profits and losses
don’t buy into what their
children and grandchildren will breath,
drink or eat in the years to come,
who feel that money is
more important than air,
more important that water,
more important than the future,
more important than anything else
including the fact that
The Revolution will not revolve around you.
Instead,
it revolves around those brave enough
to take on the system,
who strive to prove that justice for some
should be justice for all
and help to make that possible;
around those who see a need and try to
honestly and with courage
and passion
and compassion
try to solve it,
around those who see those
whom life has dealt harshly with
and who still struggle to stand up and fight
and who help them with a hand “up” not “out”,
around those who see the hunger
and strive to feed;
who see the abuse
and try to end it;
who see the hurt
and try to heal it;
and then, only then,
if you have the courage
to instigate this revolution,
then and only then will
the revolution involve and revolve around you.
This was written during the mid-1990s and is part of my book Revolutionary Broads and Other Nightmares which is looking for a publishing home.
Friday, October 17, 2025
The Pitch
THE PITCH
by Robin Shwedo
©: Robin Shwedo, 2023
The summer I was 15,
I obsessed about the Red Sox.
I’d been a Boston fan
for several years,
but ‘69 was different.
I had to have surgery
on my knee;
I’d hurt it playing basketball
in a Catholic high school
A senior and I,
a lowly sophomore,
were the two best players
on the team.
She had a scholarship
to UConn,
the only school nearby
that gave girls athletic scholarships
pre-Title IX.
The surgery ended my
basketball days;
had Title IX been in place,
I would’ve kept at it,
no matter what.
After several days in the hospital,
I was released,
getting home in time
to turn on the radio
to the first Red Sox game
of the season.
That was the summer
when I wanted to pitch for the Red Sox.
So many kids
had major-league aspirations,
but only boys could follow them.
Every time the Red Sox played,
I listened on my radio
or watched on TV,
wishing I could
someday pitch.
I tried to think of ways
I could play ball.
But nothing I thought of
would have worked.
I envisioned myself
going to try outs,
being allowed to throw,
since no one thought
a girl
could pitch,
then proving I could do it.
That summer,
my brother and I
walked to the nearby
Little League fields,
where he had me,
his big sister,
throw the ball for him.
“You’d make a great pitcher,”
he told me after one pitching session.
He always believed in me.
“You’d be better than Yastrzemski,”
he said.
I didn’t have the heart to tell him
that Yaz didn’t pitch.
We moved to Florida a few years later.
All we had there
was spring training
until the Marlins came along,
but they were in Miami.
When the Rays came to St. Pete,
I became a Rays fan.
You have to root for the home team.
“You like baseball? What teams to you root for?”
“The Rays, the Red Sox, and whoever’s
playing the Yankees.”
Yankees fans’d roll their eyes,
but they got it.
Along the way,
a movie for us “girls” –
“A League of Their Own,”
about women playing ball.
One day, just before I turned 60,
I stood in line at the
customer service booth at Publix,
behind a mom and 10-year-old daughter
getting ready for her soft-ball game.
An older woman – late 80s, turned,
talked to the pair.
“I played years ago,”
she said in a strong voice.
“Ever hear of the All American Girls League?
I was pitcher for the Rockford Peaches.”
She was my instant hero.
Early in the season,
one of the local TV stations
worked something out
with the local team –
a party, of sorts.
One person from each decade of life
would face a pitcher,
get a chance to hit,
round the bases,
if they did.
Me,
in my late 60s,
got picked for my decade.
When my turn came,
I headed for home plate,
and chatted with
the manager,
ump,
pitcher,
and more.
54 years of
wanting to play
with the boys of summer,
making it the kids of summer.
I pick the bat I want to use,
approach the plate.
54 years of dreams,
of Yaz,
of the Conigliaro brothers –
first Tony and
then Billy –
54 years of remembering photos
of Tony after he’d been
beaned by a ptich,
then coming back
later,
but never able to play
as he had,
always shy about
wild pitches –
54 years of remembering
Wade Boggs,
who finished his career
with the Rays,
remembering when he
joined the 3000 club,
running the bases,
arm pumping a cheer,
54 years of hearing about
the curse of the Babe,
of Ted Williams,
of wanting to be able to
have female names
in with the greats,
the Conigliaros,
Big Papi,
Carl Crawford,
Price,
and the All-American Girls League.
I wait,
watching the pitcher,
who’s been instructed
to take it easy.
54 years of
waiting for the wind up,
to hit a home run
worthy of playing the game.
“Ready?”
he calls,
as he was instructed
for the fans.
I nod.
And he pitches.
Home run,
some day for all of us girls.
This is part of a book titled Working Class Poems which will soon be looking for a publisher.
by Robin Shwedo
©: Robin Shwedo, 2023
The summer I was 15,
I obsessed about the Red Sox.
I’d been a Boston fan
for several years,
but ‘69 was different.
I had to have surgery
on my knee;
I’d hurt it playing basketball
in a Catholic high school
A senior and I,
a lowly sophomore,
were the two best players
on the team.
She had a scholarship
to UConn,
the only school nearby
that gave girls athletic scholarships
pre-Title IX.
The surgery ended my
basketball days;
had Title IX been in place,
I would’ve kept at it,
no matter what.
After several days in the hospital,
I was released,
getting home in time
to turn on the radio
to the first Red Sox game
of the season.
That was the summer
when I wanted to pitch for the Red Sox.
So many kids
had major-league aspirations,
but only boys could follow them.
Every time the Red Sox played,
I listened on my radio
or watched on TV,
wishing I could
someday pitch.
I tried to think of ways
I could play ball.
But nothing I thought of
would have worked.
I envisioned myself
going to try outs,
being allowed to throw,
since no one thought
a girl
could pitch,
then proving I could do it.
That summer,
my brother and I
walked to the nearby
Little League fields,
where he had me,
his big sister,
throw the ball for him.
“You’d make a great pitcher,”
he told me after one pitching session.
He always believed in me.
“You’d be better than Yastrzemski,”
he said.
I didn’t have the heart to tell him
that Yaz didn’t pitch.
We moved to Florida a few years later.
All we had there
was spring training
until the Marlins came along,
but they were in Miami.
When the Rays came to St. Pete,
I became a Rays fan.
You have to root for the home team.
“You like baseball? What teams to you root for?”
“The Rays, the Red Sox, and whoever’s
playing the Yankees.”
Yankees fans’d roll their eyes,
but they got it.
Along the way,
a movie for us “girls” –
“A League of Their Own,”
about women playing ball.
One day, just before I turned 60,
I stood in line at the
customer service booth at Publix,
behind a mom and 10-year-old daughter
getting ready for her soft-ball game.
An older woman – late 80s, turned,
talked to the pair.
“I played years ago,”
she said in a strong voice.
“Ever hear of the All American Girls League?
I was pitcher for the Rockford Peaches.”
She was my instant hero.
Early in the season,
one of the local TV stations
worked something out
with the local team –
a party, of sorts.
One person from each decade of life
would face a pitcher,
get a chance to hit,
round the bases,
if they did.
Me,
in my late 60s,
got picked for my decade.
When my turn came,
I headed for home plate,
and chatted with
the manager,
ump,
pitcher,
and more.
54 years of
wanting to play
with the boys of summer,
making it the kids of summer.
I pick the bat I want to use,
approach the plate.
54 years of dreams,
of Yaz,
of the Conigliaro brothers –
first Tony and
then Billy –
54 years of remembering photos
of Tony after he’d been
beaned by a ptich,
then coming back
later,
but never able to play
as he had,
always shy about
wild pitches –
54 years of remembering
Wade Boggs,
who finished his career
with the Rays,
remembering when he
joined the 3000 club,
running the bases,
arm pumping a cheer,
54 years of hearing about
the curse of the Babe,
of Ted Williams,
of wanting to be able to
have female names
in with the greats,
the Conigliaros,
Big Papi,
Carl Crawford,
Price,
and the All-American Girls League.
I wait,
watching the pitcher,
who’s been instructed
to take it easy.
54 years of
waiting for the wind up,
to hit a home run
worthy of playing the game.
“Ready?”
he calls,
as he was instructed
for the fans.
I nod.
And he pitches.
Home run,
some day for all of us girls.
This is part of a book titled Working Class Poems which will soon be looking for a publisher.
Thursday, October 16, 2025
Surreality
SURREALITY
by Robin Shwedo
©: Robin Shwedo, 1995
Driving home from a surreal afternoon,
the lights on the bridge remind me
of strings of pearls,
glistening,
glowing
against the grey velvet sky.
There are few cars ahead of me,
spaced apart,
their taillights like sparking rubies,
following the sensuous curve of the bridge.
Glancing when I can to my right,
the distant headlights on the north bridge
spanning the bay
are like diamonds,
glittering on their moving strands.
The pavement slowly drifts toward the left,
pointing the car into the soft sunset;
the clouds have parted just enough to turn
pale pink
and
peach,
soft as worn flannel,
drifting into the wet grey rose petal clouds.
Almost as quickly as a hummingbird’s wings,
the liquid colors turn,
becoming pale yellow,
pencil-sketched clouds
turning to charcoal.
The rise of the bridge pulls me towards the sky,
then slowly,
gently
lets me drop back to earth.
Maybe Van Gogh saw the world the way it really is,
swirling skies and all.
I wrote this shortly before writing Ybor Afternoon. There's just something almost magical about the lighting at sunset, especially if one is driving on a bridge with lights reflecting off the water underneath.
This is from the book Revolutionary Broads and Other Nightmares, which is looking for a publishing home.
by Robin Shwedo
©: Robin Shwedo, 1995
Driving home from a surreal afternoon,
the lights on the bridge remind me
of strings of pearls,
glistening,
glowing
against the grey velvet sky.
There are few cars ahead of me,
spaced apart,
their taillights like sparking rubies,
following the sensuous curve of the bridge.
Glancing when I can to my right,
the distant headlights on the north bridge
spanning the bay
are like diamonds,
glittering on their moving strands.
The pavement slowly drifts toward the left,
pointing the car into the soft sunset;
the clouds have parted just enough to turn
pale pink
and
peach,
soft as worn flannel,
drifting into the wet grey rose petal clouds.
Almost as quickly as a hummingbird’s wings,
the liquid colors turn,
becoming pale yellow,
pencil-sketched clouds
turning to charcoal.
The rise of the bridge pulls me towards the sky,
then slowly,
gently
lets me drop back to earth.
Maybe Van Gogh saw the world the way it really is,
swirling skies and all.
I wrote this shortly before writing Ybor Afternoon. There's just something almost magical about the lighting at sunset, especially if one is driving on a bridge with lights reflecting off the water underneath.
This is from the book Revolutionary Broads and Other Nightmares, which is looking for a publishing home.
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