DAY’S END
by Robin Shwedo
©Robin Shwedo, 2000, 2022
At a yellow brick building in Clearwater,
I wait for my final fare.
It’s been a long day,
but could’ve been longer,
had dispatch not cared about
paying overtime.
Thank God for small miracles and favors.
The building is a church.
A flash of thought –
did they use yellow bricks
to simulate the golden bricks
the roads in heaven are made of?
Probably not,
but a nice thought.
One never knows.
The stained glass windows,
in various shades of greenish-yellow,
with a dark green stripe around the edges
and a blue, purple and dark
– I don’t know – dark green?
black?
dark brown or blue? –
cross in the center of each,
are unlit from inside the church.
I know not where the choir practices inside,
only that,
when I come exactly on time,
my fare is waiting on the bench
I’m parked in front of.
She has only three minutes
by my estimation
(and car clock)
before we’re exactly on time;
she’s still not here.
Two minutes now.
The church’s security guard
has already wandered by,
checking out my car
from a discreet distance
before going back to his post inside;
he can see me from his window.
That’s okay;
I’m not leaving until I have my fare –
or she’s five minutes late.
It’s one minute past time
and here she comes.
“Hey,” she says,
sliding into the car.
We exchange pleasantries,
and head for our day’s end.
Started in 1999 or 2000; finished 11/11/2022. Part of Working Class Poems, looking for a publisher.
Monday, April 13, 2026
Sunday, April 12, 2026
Walking, Early December Florida Morning
Walking, Early December Florida Morning
by Robin Shwedo
©: Robin Shwedo, 2013
Walking, early December Florida morning,
coolness trying to descend from northern climes,
I had wanted to still be running.
Life happens. Maybe soon, the running will resume.
Going cross country, down a dirt path that masquerades
as a country road,
dead-ending – but not – at someone's driveway.
A chain-link fence separates the house's property
from the dirt road in front,
the woods next to it on either side.
The road continues past the woods.
One can only go the full length –
a total of four blocks –
if on foot or horseback,
as the four red diamond-shaped signs blocking the path will attest.
This early December Florida morning,
a small flock of birds –
six wood storks, a snowy egret, a grey egret –
stand at the edge of the drainage ditch that runs alongside the dirt road.
A gated townhouse community is beyond.
Townhouses, ditch, dirt road, woods-house and property-woods.
As I walk, the flock of birds moves.
Grey egret walks away, eye on something in the ditch.
White egret runs, spreads wings, takes flight.
Only the wood storks remain somewhat together,
walking, spreading apart to let me through.
One brave one walks to my left, between fence and me.
He – she? – walks somewhat ahead,
like an aging denison
in a bathing suit in Boca,
skinny legs sticking out,
dusky rose feet and backwards knees,
carrying a plump white-clad body,
topped with a funny bathing cap.
The denison would call back home,
New York, probably,
saying on crackling long-distance lines
to an equally aging sister,
“Come down and visit. Boca is so nice, this time of year.”
The sister, mink-coated denison,
or maybe, if she's an animal lover, dressed in faux fur,
will say,
“Maybe next year, honey.
No, really, I don't mind the cold.”
The wood stork denison passes,
reconnects with the flock
just as the flock takes flight.
This was written the last week of December, 2013 after a morning walk. It is one of the poems in a growing collection titled Poetry for My Mother.
by Robin Shwedo
©: Robin Shwedo, 2013
Walking, early December Florida morning,
coolness trying to descend from northern climes,
I had wanted to still be running.
Life happens. Maybe soon, the running will resume.
Going cross country, down a dirt path that masquerades
as a country road,
dead-ending – but not – at someone's driveway.
A chain-link fence separates the house's property
from the dirt road in front,
the woods next to it on either side.
The road continues past the woods.
One can only go the full length –
a total of four blocks –
if on foot or horseback,
as the four red diamond-shaped signs blocking the path will attest.
This early December Florida morning,
a small flock of birds –
six wood storks, a snowy egret, a grey egret –
stand at the edge of the drainage ditch that runs alongside the dirt road.
A gated townhouse community is beyond.
Townhouses, ditch, dirt road, woods-house and property-woods.
As I walk, the flock of birds moves.
Grey egret walks away, eye on something in the ditch.
White egret runs, spreads wings, takes flight.
Only the wood storks remain somewhat together,
walking, spreading apart to let me through.
One brave one walks to my left, between fence and me.
He – she? – walks somewhat ahead,
like an aging denison
in a bathing suit in Boca,
skinny legs sticking out,
dusky rose feet and backwards knees,
carrying a plump white-clad body,
topped with a funny bathing cap.
The denison would call back home,
New York, probably,
saying on crackling long-distance lines
to an equally aging sister,
“Come down and visit. Boca is so nice, this time of year.”
The sister, mink-coated denison,
or maybe, if she's an animal lover, dressed in faux fur,
will say,
“Maybe next year, honey.
No, really, I don't mind the cold.”
The wood stork denison passes,
reconnects with the flock
just as the flock takes flight.
This was written the last week of December, 2013 after a morning walk. It is one of the poems in a growing collection titled Poetry for My Mother.
Saturday, April 11, 2026
At A Check-Cashing Place, On A Dreary Day
At A Check-Cashing Place, On A Dreary Day
by Robin Shwedo
©Robin Shwedo, 2014
Grey, dreary day, first week in January,
I stand, waiting for a pay-day loan.
Ten more minutes, and I can get it.
Rules say that one must wait 24 hours from paying off the last one
before getting another loan.
A radio plays in the background, offering adult-alt-soft rock and occasional chatter.
Paul Simon is singing Graceland,
Ladysmith Black Mambazo laying down the background rhythm.
“I'm going to Graceland, Graceland, in Memphis, Tennessee,”* he sings.
An old woman,
crippled up from life,
eases into the place, shuffles up to the teller window.
The man with her – son, perhaps? neighbor? – sits down on the cheap office chair to wait.
“I need to borrow $400,” the old woman states in a flat, raspy whisper,
as though saying it much louder and with any kind of intonation
would give the statement a life of its own,
thus making it more than she can bear.
Several more people wander in,
needing money,
needing more until their next pay day.
Graceland ends and the Eagles follow up.
I turn and lean against the window where the teller,
who is helping the old woman,
will help me in – now – five minutes.
I stare out the bank of windows taking up one wall
and part of another.
It is dreary, dark, and will probably rain sometime this afternoon.
If it were up north – New England, say, or mid-west –
snow would be imminent.
The teller glances at me.
“One more minute,” he says in his thick Brooklyn accent.
His voice stands out in the Florida winter,
telling of snow days and shoveling snow
neither of us no longer need to do.
There was a time when I thought that all of this was gone,
when I would never have to come in here again.
Money was there in what seemed to be abundance.
And the it wasn't.
“Okay, you're up,” Brooklyn tells me
as the old woman shuffles off.
*©1986 Words and Music by Paul Simon
There are places where money is tight and pay-day advance businesses and pawn shops abound. Good? Bad? Depends on who you ask. This poem simply tells of one person getting a loan. It is part of a book titled Working Class Poems which will soon be looking for a publisher.
This was first posted on October 20, 2016.
by Robin Shwedo
©Robin Shwedo, 2014
Grey, dreary day, first week in January,
I stand, waiting for a pay-day loan.
Ten more minutes, and I can get it.
Rules say that one must wait 24 hours from paying off the last one
before getting another loan.
A radio plays in the background, offering adult-alt-soft rock and occasional chatter.
Paul Simon is singing Graceland,
Ladysmith Black Mambazo laying down the background rhythm.
“I'm going to Graceland, Graceland, in Memphis, Tennessee,”* he sings.
An old woman,
crippled up from life,
eases into the place, shuffles up to the teller window.
The man with her – son, perhaps? neighbor? – sits down on the cheap office chair to wait.
“I need to borrow $400,” the old woman states in a flat, raspy whisper,
as though saying it much louder and with any kind of intonation
would give the statement a life of its own,
thus making it more than she can bear.
Several more people wander in,
needing money,
needing more until their next pay day.
Graceland ends and the Eagles follow up.
I turn and lean against the window where the teller,
who is helping the old woman,
will help me in – now – five minutes.
I stare out the bank of windows taking up one wall
and part of another.
It is dreary, dark, and will probably rain sometime this afternoon.
If it were up north – New England, say, or mid-west –
snow would be imminent.
The teller glances at me.
“One more minute,” he says in his thick Brooklyn accent.
His voice stands out in the Florida winter,
telling of snow days and shoveling snow
neither of us no longer need to do.
There was a time when I thought that all of this was gone,
when I would never have to come in here again.
Money was there in what seemed to be abundance.
And the it wasn't.
“Okay, you're up,” Brooklyn tells me
as the old woman shuffles off.
*©1986 Words and Music by Paul Simon
There are places where money is tight and pay-day advance businesses and pawn shops abound. Good? Bad? Depends on who you ask. This poem simply tells of one person getting a loan. It is part of a book titled Working Class Poems which will soon be looking for a publisher.
This was first posted on October 20, 2016.
Friday, April 10, 2026
THINKING TIME
THINKING TIME
by Robin Shwedo
©: Robin Shwedo, 2016
There are two best times for thinking:
Going for a walk,
and riding the bus.
Both activities make other distractions difficult.
Some of my best thinking,
idea-wise,
have come from both.
I have a path I love to walk.
It goes cross-country,
down dirt roads,
through woods,
past houses,
town homes,
stables full of horses,
parks and little league fields.
Once, walking down the dirt road,
past a moved-in house on acres of land,
just at the start of woods on one side,
a drainage ditch and stable on the other,
I had the feeling of my grandmother,
long gone,
as though waiting for me.
Over the years,
it has felt that others
gone, but not forgotten,
have joined her,
to where I almost feel them saying,
Here she comes, here she comes,
She's coming
as I head out.
I've thought of these family members
long gone,
but not forgotten.
Mom has recently joined this group.
During her memorial,
months after her death,
I couldn't help but think that
my sister and I are the
last two in our birth family.
As the elder,
I can remember when a little easier than she can.
And yet,
at the memorial,
I realize that our uncle,
Mom's only brother
(she had no sisters)
is the last one left from his birth family.
He has no one to remember when with,
at least in the same way Mom could.
Also on walks,
I've thought of the people who live in the town houses
I pass:
an old couple whose daughter
(I'm guessing)
fixes their dinner
around the time for my evening walk;
the couple with the baby in a stroller
and two small dogs
whose antics make the baby
laugh and clap;
the couple who leaves their Christmas tree
up through mid-January
every year.
Bus rides give way to
another kind of thinking.
You get to see people,
wonder about their lives.
One time, coming home from school
in downtown St. Pete,
Matt met me at Williams Park.
He knew I'd take one of two buses,
both disembarking riders
and departing on the same side of the park.
He waited, and when I saw him,
we got on the same bus –
the 52 –
together.
We watched the others on the bus,
from the bus,
pointed people out to each other.
At Central Plaza terminal,
we gasped, then laughed
at one man,
sitting and talking to a woman.
He was wearing gray slippers,
tie-dyed socks,
a purple bathrobe with gold sparkles,
and topped by a red beret,
set at a jaunty angle
atop his head.
The woman,
about his age – late middle aged –
was nondescript next to him.
I want to write them into a story,
I tell Matt,
as he laughs and rolls his eyes.
We all have times when our mind naturally drifts and starts wandering back in time, into the future, or kicking around the present. This poem is about that. I've run and/or walked for years, as well as riding buses; both are great for thinking.
This is part of a growing group of poems tentatively titled Poetry for My Mother.
by Robin Shwedo
©: Robin Shwedo, 2016
There are two best times for thinking:
Going for a walk,
and riding the bus.
Both activities make other distractions difficult.
Some of my best thinking,
idea-wise,
have come from both.
I have a path I love to walk.
It goes cross-country,
down dirt roads,
through woods,
past houses,
town homes,
stables full of horses,
parks and little league fields.
Once, walking down the dirt road,
past a moved-in house on acres of land,
just at the start of woods on one side,
a drainage ditch and stable on the other,
I had the feeling of my grandmother,
long gone,
as though waiting for me.
Over the years,
it has felt that others
gone, but not forgotten,
have joined her,
to where I almost feel them saying,
Here she comes, here she comes,
She's coming
as I head out.
I've thought of these family members
long gone,
but not forgotten.
Mom has recently joined this group.
During her memorial,
months after her death,
I couldn't help but think that
my sister and I are the
last two in our birth family.
As the elder,
I can remember when a little easier than she can.
And yet,
at the memorial,
I realize that our uncle,
Mom's only brother
(she had no sisters)
is the last one left from his birth family.
He has no one to remember when with,
at least in the same way Mom could.
Also on walks,
I've thought of the people who live in the town houses
I pass:
an old couple whose daughter
(I'm guessing)
fixes their dinner
around the time for my evening walk;
the couple with the baby in a stroller
and two small dogs
whose antics make the baby
laugh and clap;
the couple who leaves their Christmas tree
up through mid-January
every year.
Bus rides give way to
another kind of thinking.
You get to see people,
wonder about their lives.
One time, coming home from school
in downtown St. Pete,
Matt met me at Williams Park.
He knew I'd take one of two buses,
both disembarking riders
and departing on the same side of the park.
He waited, and when I saw him,
we got on the same bus –
the 52 –
together.
We watched the others on the bus,
from the bus,
pointed people out to each other.
At Central Plaza terminal,
we gasped, then laughed
at one man,
sitting and talking to a woman.
He was wearing gray slippers,
tie-dyed socks,
a purple bathrobe with gold sparkles,
and topped by a red beret,
set at a jaunty angle
atop his head.
The woman,
about his age – late middle aged –
was nondescript next to him.
I want to write them into a story,
I tell Matt,
as he laughs and rolls his eyes.
We all have times when our mind naturally drifts and starts wandering back in time, into the future, or kicking around the present. This poem is about that. I've run and/or walked for years, as well as riding buses; both are great for thinking.
This is part of a growing group of poems tentatively titled Poetry for My Mother.
Thursday, April 9, 2026
RUNNING
RUNNING
By Robin Shwedo
© Robin Shwedo, 2007
Every morning, I run.
I don’t want to.
I want to.
Ambivalence is part of the run.
I accept that.
But first, priorities.
Start the coffee pot.
Turn on the TV.
Matt, Meredith, Al and Ann talking to me. I miss Katie.
Get the newspaper from the driveway.
Put the neighbor’s paper on his porch.
Go back inside.
What’s Al saying? Snow in Denver?
Perfect excuse for not running.
Except there’s no snow falling in Florida.
I find my running shorts, t-shirt. Put them on.
Socks from the dresser.
Back in the kitchen where I fix a cuppa joe.
Sit down at the table.
Matt’s talking to somebody.
Who? Gotta find out.
Coffee and Today.
Put on my socks. No holes in these ones. Yet.
Put on my shoes. Should have another couple of months with this pair.
Sip some coffee.
Tie one shoe.
Sip more coffee.
Tie other shoe.
Sip even more coffee.
Another weather report. Still snow in Denver.
Still none here.
Al, Al, Al. You sure know how to ruin a cup of coffee.
Grab a bottle of water.
Find my running cap.
Take the front door key.
Open. The. Door.
Lock the door.
Shut the door. With me outside.
Head for the sidewalk, already tired.
Why is it I’m always more alert after my run?
During my second semester at the University of South Florida St. Petersburg, I had two classes with the same professor, one of which was titled "Narration and Description". One of our assignments was to write a short poem dealing with the body in action. This was in early 2007, less than a year since Katie Couric had left The Today Show. My better-half and I were disappointed when Couric left, but life goes on.
I'd been a runner for a while when I wrote this. And while I've slowed down quite a bit, I still love getting out to walk or run in the morning. Or, rather, I love how I feel when I get back from running. Getting out the front door, however, can occasionally be a challenge!
This poem is part of a collection tentatively titled Poetry for a Busy Life.
By Robin Shwedo
© Robin Shwedo, 2007
Every morning, I run.
I don’t want to.
I want to.
Ambivalence is part of the run.
I accept that.
But first, priorities.
Start the coffee pot.
Turn on the TV.
Matt, Meredith, Al and Ann talking to me. I miss Katie.
Get the newspaper from the driveway.
Put the neighbor’s paper on his porch.
Go back inside.
What’s Al saying? Snow in Denver?
Perfect excuse for not running.
Except there’s no snow falling in Florida.
I find my running shorts, t-shirt. Put them on.
Socks from the dresser.
Back in the kitchen where I fix a cuppa joe.
Sit down at the table.
Matt’s talking to somebody.
Who? Gotta find out.
Coffee and Today.
Put on my socks. No holes in these ones. Yet.
Put on my shoes. Should have another couple of months with this pair.
Sip some coffee.
Tie one shoe.
Sip more coffee.
Tie other shoe.
Sip even more coffee.
Another weather report. Still snow in Denver.
Still none here.
Al, Al, Al. You sure know how to ruin a cup of coffee.
Grab a bottle of water.
Find my running cap.
Take the front door key.
Open. The. Door.
Lock the door.
Shut the door. With me outside.
Head for the sidewalk, already tired.
Why is it I’m always more alert after my run?
During my second semester at the University of South Florida St. Petersburg, I had two classes with the same professor, one of which was titled "Narration and Description". One of our assignments was to write a short poem dealing with the body in action. This was in early 2007, less than a year since Katie Couric had left The Today Show. My better-half and I were disappointed when Couric left, but life goes on.
I'd been a runner for a while when I wrote this. And while I've slowed down quite a bit, I still love getting out to walk or run in the morning. Or, rather, I love how I feel when I get back from running. Getting out the front door, however, can occasionally be a challenge!
This poem is part of a collection tentatively titled Poetry for a Busy Life.
Wednesday, April 8, 2026
MUGLY DAYS
MUGLY DAYS
by Robin Shwedo
©: Robin Shwedo, 2022
Muggy day,
weighing down the air,
muting colors to an ugly pastel wavy mass,
a Mugly day,
so Mugly it leaves your skin
sandy, sweaty, gritty,
plasters your hair to face,
shirt to back, sides and front.
So muggy,
it’s ugly,
giving way to mugly.
August in Florida is brutal.
From a new collection titled Painted Words, which is still being added to.
by Robin Shwedo
©: Robin Shwedo, 2022
Muggy day,
weighing down the air,
muting colors to an ugly pastel wavy mass,
a Mugly day,
so Mugly it leaves your skin
sandy, sweaty, gritty,
plasters your hair to face,
shirt to back, sides and front.
So muggy,
it’s ugly,
giving way to mugly.
August in Florida is brutal.
From a new collection titled Painted Words, which is still being added to.
Tuesday, April 7, 2026
TRAIL, EARLY EVENING
TRAIL, EARLY EVENING
by Robin Shwedo
©Robin Shwedo, 2014
Evening walks are the counter-point to those in the early morning.
Mornings feel fresh;
the day's heat hasn't made the air
too oppressive,
except in August.
But evening walks are better for unwinding,
decompressing from the day.
I follow my usual path,
heading south to the end of the street
then head cross-country.
Going through the park's back entrance,
the sounds and sights of little league games explode nearby.
Cheers, shouts,
the loud tink! tink! of ball on aluminum bats resounds
from adjacent diamonds.
On the other side of the ditch,
the stable's owner exits the barn, heading for the pastures.
Horses standing by gates
stomp and whinny,
toss heads
as they wait their turn to head inside.
I get to the avenue as a car passes,
slows,
then turns into the townhouse community.
On the dirt path,
ditch now on the right,
townhouses beyond,
the light is different.
Sun's rays dappling trees' leaves
between townhouses and ditch.
A light is on in the dining/living room
of one of the townhouses,
one of the few with the blinds open
during the day.
An old couple,
white haired heads touching,
sitting at their dinner table,
watching game shows.
A middle-aged woman –
their daughter, maybe? –
brings their plates,
kisses the top of their heads,
then,
grabbing a mug,
sits beside them.
I head farther down the dirt road.
A woman,
sitting on the porch swing of the fenced-in house on the left,
looks up and waves.
Farther still,
past the house,
the woods' shadows deepen.
On the right,
beyond the ditch,
the community's back wall
separates townhouses from another stable.
A man is exercising a horse.
I haven't seen him riding
for more than a year,
since he finished taking
Saturday morning riding lessons.
Another horse stands in a grazing area
between exercise area and barn.
It looks over,
whinnies,
goes back to grazing.
I turn back,
past woods,
fenced-in yard,
woman still readying on the porch,
past townhouses,
where the older couple and their daughter
laugh over something,
the happy sound wafting through the air.
Cross the street,
now on the same side of the ditch as the stable,
opposite the park.
The owner,
her sister,
and several others
are bringing horses in,
feeding them,
talking over the low sound of a radio,
playing a country-western tune.
There is a path near my house that I frequently use for my walks/runs/bike rides. This poem was written on 4/16/14 after an evening walk that inspired this.
There's a very definite difference in the feel of an evening walk or run compared to doing the same in the morning, as many people will attest to. This poem is part of a new book of poetry tentatively titled Poetry for My Mother.
by Robin Shwedo
©Robin Shwedo, 2014
Evening walks are the counter-point to those in the early morning.
Mornings feel fresh;
the day's heat hasn't made the air
too oppressive,
except in August.
But evening walks are better for unwinding,
decompressing from the day.
I follow my usual path,
heading south to the end of the street
then head cross-country.
Going through the park's back entrance,
the sounds and sights of little league games explode nearby.
Cheers, shouts,
the loud tink! tink! of ball on aluminum bats resounds
from adjacent diamonds.
On the other side of the ditch,
the stable's owner exits the barn, heading for the pastures.
Horses standing by gates
stomp and whinny,
toss heads
as they wait their turn to head inside.
I get to the avenue as a car passes,
slows,
then turns into the townhouse community.
On the dirt path,
ditch now on the right,
townhouses beyond,
the light is different.
Sun's rays dappling trees' leaves
between townhouses and ditch.
A light is on in the dining/living room
of one of the townhouses,
one of the few with the blinds open
during the day.
An old couple,
white haired heads touching,
sitting at their dinner table,
watching game shows.
A middle-aged woman –
their daughter, maybe? –
brings their plates,
kisses the top of their heads,
then,
grabbing a mug,
sits beside them.
I head farther down the dirt road.
A woman,
sitting on the porch swing of the fenced-in house on the left,
looks up and waves.
Farther still,
past the house,
the woods' shadows deepen.
On the right,
beyond the ditch,
the community's back wall
separates townhouses from another stable.
A man is exercising a horse.
I haven't seen him riding
for more than a year,
since he finished taking
Saturday morning riding lessons.
Another horse stands in a grazing area
between exercise area and barn.
It looks over,
whinnies,
goes back to grazing.
I turn back,
past woods,
fenced-in yard,
woman still readying on the porch,
past townhouses,
where the older couple and their daughter
laugh over something,
the happy sound wafting through the air.
Cross the street,
now on the same side of the ditch as the stable,
opposite the park.
The owner,
her sister,
and several others
are bringing horses in,
feeding them,
talking over the low sound of a radio,
playing a country-western tune.
There is a path near my house that I frequently use for my walks/runs/bike rides. This poem was written on 4/16/14 after an evening walk that inspired this.
There's a very definite difference in the feel of an evening walk or run compared to doing the same in the morning, as many people will attest to. This poem is part of a new book of poetry tentatively titled Poetry for My Mother.
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