WORKING CLASS, EBB AND FLOW
by Robin Shwedo
©Robin Shwedo, 2018
I
For years,
my ex and I lived for the weekends.
Unemployed for months,
living in the house next door
to his parents,
a house they'd inherited,
he'd finally found work,
bringing in a weekly paycheck –
pittance, though it was –
when combined with
food stamps and
no rent,
it paid the bills, if just barely.
Friday,
after work,
we'd gather the kids,
pile into the car,
and go to the nearest Albertson's,
a farther drive than
the Winn Dixie,
but newer and cleaner.
After the weekly shopping,
reminiscent of going to the A&P
as a child
with my parents on Fridays,
we'd stop by the neighborhood Wendy's
for dinner,
always a treat.
Burgers, fries and sodas,
a big deal for the kids,
and no cooking or clean up,
a big deal for me.
Every week,
we'd see the same families,
kids in tow,
having Friday fast food dinners,
feeling comfortable enough
for some conversations.
“How was your week?”
“Great, and yours?”
When one family's boys spent too much time
in the rest room,
Mom'd tell the youngest,
“Go tell your brothers
to quit homesteading
if they want to eat.”
We all laughed at that.
Now, years later,
if someone takes too long,
the family code is that
they're homesteading.
We'd watch the sky
across the street
darken in the winter,
stay light in the summer
as we ate.
Then, finished,
we'd tell the other two or three families
we'd see them
the next week.
Gradually,
kids grew, jobs and hours changed,
Albertsons built a new, closer store
that took us closer
to other fast food places.
I wonder about the homesteaders.
II
His parents split,
and the rental became
his mom's home.
She lived with us for a month or so;
you relegated her,
in her own house,
to the utility room.
Finally,
I told her to come inside.
You lost a job,
found another,
lost it,
found another.
In desperation,
I found and took a job
with a future,
and, after a contentious weekend,
moved us out of your mom's house.
She mourned,
wanting us back.
But six people in a 2-bedroom place
was rough.
The rent in the new place
took a third of our income,
then went up more.
I lost my job,
in part because
you were too proud to do
“women's work,”
laundry,
dishes,
cleaning
while I worked full time
and you stayed home,
watching TV and the kids.
A job
revolving around
physical work
required more than three hours of sleep a night,
and catching up on weekends.
You then took a job,
while I stayed home.
III
Three moves later,
you leave to find work out of state,
leaving me to care for four kids.
I find work
while going to school full time.
We move,
and you come back.
You promised to change,
and found a job
you loved
(security in a topless bar).
You spent weekends at
the flea market,
and took a job there,
working with a friend,
running errands while he ran the booth,
helping him sell radios and such.
The security job failed,
and the flea market was your main job,
paid $100 a week.
Sy (“Hi-Fi Sy”) offered our oldest a job –
his first –
making almost as much
as you on weekends.
Finally, the stress of
work,
kids,
not enough money,
too much rent,
and other nonsense too its toll.
We had to move again.
IV
Every place we looked,
they'd rent to me,
even with four kids and a dog.
But you'd somehow jinx the deal.
Finally, you checked with a rental place.
“Sorry, you don't make enough,”
the man told you.
Our income was $20 a month shy
of 1/3 the rent,
which meant they wouldn't
rent to you.
The next day,
I took off from both jobs and school,
went to the rental agency
and fast-talked the same man
into handing me keys
to two houses.
“Take your pick,” he told me.
I picked one,
paid the rent and deposit,
and had us in the next day.
You lost,
found,
lost,
found
several dead-end jobs,
finally finding one you loved
only when I'd
asked you to leave.
With your own place to rent –
a cheap efficiency –
you made do.
I took a job driving cab,
took a few days off
when you died –
the job had no health insurance,
which meant you neglected your health –
then worked hard,
long,
12-hour days.
Met another driver
who knew how to treat a lady.
He'd nursed his late wife,
a waitress in several diners,
when her cancer showed up,
was cured,
then came back.
A man who'll care for
a dying wife
is a real man.
We married eight years after her death,
three years after my divorce,
and your death.
We both worked,
then had to quit
when our eyesight
started to fail.
I cared for him
as he'd cared for her
during his final years.
V
Working class life
is so much harder than
life for the rich.
The hours are long,
the pay is crap,
the rents are high,
the little bit of Obamacare
is being pulled away
by the obscenely rich,
making health care hard to come by.
It's the working poor's work
that has built up the rich,
built on our backs,
giving them their life
as they pull aways ours.
Someday –
probably soon –
the revolution will knock
the crap out of those rich who don't care.
Be forewarned.
This is a newer poem (written 6/17/18 – 6/18/18) from an upcoming book titled Working Class Poems, which is looking for a publisher.
Poetry, Unassigned
Friday, September 28, 2018
Thursday, September 27, 2018
THE WHISPER
THE WHISPER
by Robin Shwedo
©: Robin Shwedo, 1995
I am loud.
I love vibrant colors -
Pillarbox red, midnight blue,
emerald green, splashy yellow,
in-your-face orange,
and sounds so colorful,
they make your heart dance
like a whirling kite in a
high wind,
bobbing,
dipping -
flutes, wind, laughter.
The down side
is loving rainy days,
where the only color
is gray,
with the neon signs
reflecting off the
wet pavement,
and the wind howls
as it drives the downpour,
gusting across the road,
slapping legs and back.
I am loud,
and love extremes,
usually the intense,
boisterous ones.
And when I met the
man I love,
how did he call to me?
He whispered.
This was written during the mid-1990s and is part of my collection titled Revolutionary Broads and Other Nightmares. The book is currently looking for a publisher.
by Robin Shwedo
©: Robin Shwedo, 1995
I am loud.
I love vibrant colors -
Pillarbox red, midnight blue,
emerald green, splashy yellow,
in-your-face orange,
and sounds so colorful,
they make your heart dance
like a whirling kite in a
high wind,
bobbing,
dipping -
flutes, wind, laughter.
The down side
is loving rainy days,
where the only color
is gray,
with the neon signs
reflecting off the
wet pavement,
and the wind howls
as it drives the downpour,
gusting across the road,
slapping legs and back.
I am loud,
and love extremes,
usually the intense,
boisterous ones.
And when I met the
man I love,
how did he call to me?
He whispered.
This was written during the mid-1990s and is part of my collection titled Revolutionary Broads and Other Nightmares. The book is currently looking for a publisher.
Tuesday, September 25, 2018
Tribute
TRIBUTE
by Robin Shwedo
©: Robin Shwedo, 1986
You're gone.
Almost three months,
and still missed as much as
if it were yesterday.
The children play;
I long so much to tell you
how they fare.
My youngest
has quit asking
to see you,
his surrogate grandma.
How quickly a little one forgets,
puts into subconscious,
no longer talking of "Dor-dor."
You used to laugh when he called you that.
Now he's filled with other people,
Chuckie, Ty-ty, and baby Christina.
You'd laugh at what he calls the baby.
I read something yesterday;
it reminded me of you.
I can picture you reading it,
and telling me,
"And then, he always said..."
the way you'd told a story
a hundred times before.
Some stories you'd tell often;
I'd never let on I'd heard it before,
or at least, heard it that way.
I'll miss you,
and forever curse the
disease that
took you.
I first met Doris while volunteering for a local fire department. She was the main dispatcher, who was a surrogate mom to many of the people passing through. She died of cancer.
This is part of my collection titled Love, Feelings and the Seasons of Life, currently looking for a publisher.
by Robin Shwedo
©: Robin Shwedo, 1986
You're gone.
Almost three months,
and still missed as much as
if it were yesterday.
The children play;
I long so much to tell you
how they fare.
My youngest
has quit asking
to see you,
his surrogate grandma.
How quickly a little one forgets,
puts into subconscious,
no longer talking of "Dor-dor."
You used to laugh when he called you that.
Now he's filled with other people,
Chuckie, Ty-ty, and baby Christina.
You'd laugh at what he calls the baby.
I read something yesterday;
it reminded me of you.
I can picture you reading it,
and telling me,
"And then, he always said..."
the way you'd told a story
a hundred times before.
Some stories you'd tell often;
I'd never let on I'd heard it before,
or at least, heard it that way.
I'll miss you,
and forever curse the
disease that
took you.
I first met Doris while volunteering for a local fire department. She was the main dispatcher, who was a surrogate mom to many of the people passing through. She died of cancer.
This is part of my collection titled Love, Feelings and the Seasons of Life, currently looking for a publisher.
Friday, September 7, 2018
TURN LOOSE MY HEART
TURN LOOSE MY HEART
by Robin Shwedo
©: Robin Shwedo, 1990
Turn loose my heart.
Your love attempts to wrap itself around me
like a vine,
choking my heart and emotions
in its stranglehold.
I have no use for your love.
At least not now,
and probably not ever.
I've been hurt too often
by those claiming to be different,
who "tsk-tsk" at atrocities
committed by those who came before,
all the while planning their next moves,
variations of those same crimes
trying to mask the stench
rising like the fog of their deceit.
And so,
turn loose my heart.
Let me chop away the vine of your alleged love
before I die from an emotional coronary.
Haven't we all felt this way, when someone who is too intense, needy, or just plain wrong reaches for us?
From my collection titled Poetry Unassigned, which is looking for a publisher.
by Robin Shwedo
©: Robin Shwedo, 1990
Turn loose my heart.
Your love attempts to wrap itself around me
like a vine,
choking my heart and emotions
in its stranglehold.
I have no use for your love.
At least not now,
and probably not ever.
I've been hurt too often
by those claiming to be different,
who "tsk-tsk" at atrocities
committed by those who came before,
all the while planning their next moves,
variations of those same crimes
trying to mask the stench
rising like the fog of their deceit.
And so,
turn loose my heart.
Let me chop away the vine of your alleged love
before I die from an emotional coronary.
Haven't we all felt this way, when someone who is too intense, needy, or just plain wrong reaches for us?
From my collection titled Poetry Unassigned, which is looking for a publisher.
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