SURREALITY
by Robin Shwedo
©: Robin Shwedo, 1995
Driving home from a surreal afternoon,
the lights on the bridge remind me
of strings of pearls,
glistening,
glowing
against the grey velvet sky.
There are few cars ahead of me,
spaced apart,
their taillights like sparking rubies,
following the sensuous curve of the bridge.
Glancing when I can to my right,
the distant headlights on the north bridge
spanning the bay
are like diamonds,
glittering on their moving strands.
The pavement slowly drifts toward the left,
pointing the car into the soft sunset;
the clouds have parted just enough to turn
pale pink
and
peach,
soft as worn flannel,
drifting into the wet grey rose petal clouds.
Almost as quickly as a hummingbird’s wings,
the liquid colors turn,
becoming pale yellow,
pencil-sketched clouds
turning to charcoal.
The rise of the bridge pulls me towards the sky,
then slowly,
gently
lets me drop back to earth.
Maybe Van Gogh saw the world the way it really is,
swirling skies and all.
I wrote this shortly before writing Ybor Afternoon. There's just something almost magical about the lighting at sunset, especially if one is driving on a bridge with lights reflecting off the water underneath.
This is from the book Revolutionary Broads and Other Nightmares, which is looking for a publishing home.
Poetry, Unassigned
Thursday, January 23, 2020
Wednesday, January 22, 2020
HOP, SKIP AND JUMP
HOP, SKIP AND JUMP
by Robin Shwedo
©: Robin Shwedo, 1985
Running fast and feeling free,
skip and hop, this child of three.
Trampolining on the bed
(hope he doesn't hit his head!).
Full of fun, full of joy,
full of giggles is my boy.
Wind blown hair back in the breeze,
no more blue left on jeans' knees.
I think he'll take a nap today.
(I'm tired out from all his play!)
Is there anyone or anything as full of energy as a three-year-old? It's when they're not full of energy that people start to worry.
This was written when my youngest was a rambunctious 3-year-old, and is part of Love, Feelings and the Seasons of Life, which is looking for a publisher.
by Robin Shwedo
©: Robin Shwedo, 1985
Running fast and feeling free,
skip and hop, this child of three.
Trampolining on the bed
(hope he doesn't hit his head!).
Full of fun, full of joy,
full of giggles is my boy.
Wind blown hair back in the breeze,
no more blue left on jeans' knees.
I think he'll take a nap today.
(I'm tired out from all his play!)
Is there anyone or anything as full of energy as a three-year-old? It's when they're not full of energy that people start to worry.
This was written when my youngest was a rambunctious 3-year-old, and is part of Love, Feelings and the Seasons of Life, which is looking for a publisher.
Thursday, January 9, 2020
NIGHT SONGS
NIGHT SONGS
by Robin Shwedo
©: Robin Shwedo, 1985
Night always comes as a surprise;
after a long day and lingering twilight,
the sun suddenly,
in a matter of seconds,
is eaten by the large fish beyond the
ridge of hills.
(My mother used to come to tuck me in,
playing games to ease a four-year-old's transition to sleep.
Our favorite was with her at the end of the bed,
where she'd hold the blanket, and,
with a sharp flicking hand motion,
snap the blanket into the air,
up,
up,
up,
until gravity would call the blanket down
onto my slight frame.
It usually fell across my face
(I knew it would!);
I'd shriek my delight
and ask for it again.)
Now night falls like that,
blanketing the earth with its stars and crescent-moons,
guiding us into our seas of sleep.
I'd noticed, years ago, how fast those last few minutes before night-fall seem to go. Pay attention, some time. Twilights may take a while, but those last couple of minutes before the sun disappears behind the horizon seem exceptionally fast. This was written during the 1980s and is part of the collection titled Love, Feelings and the Seasons of Life, which is looking for a publisher.
by Robin Shwedo
©: Robin Shwedo, 1985
Night always comes as a surprise;
after a long day and lingering twilight,
the sun suddenly,
in a matter of seconds,
is eaten by the large fish beyond the
ridge of hills.
(My mother used to come to tuck me in,
playing games to ease a four-year-old's transition to sleep.
Our favorite was with her at the end of the bed,
where she'd hold the blanket, and,
with a sharp flicking hand motion,
snap the blanket into the air,
up,
up,
up,
until gravity would call the blanket down
onto my slight frame.
It usually fell across my face
(I knew it would!);
I'd shriek my delight
and ask for it again.)
Now night falls like that,
blanketing the earth with its stars and crescent-moons,
guiding us into our seas of sleep.
I'd noticed, years ago, how fast those last few minutes before night-fall seem to go. Pay attention, some time. Twilights may take a while, but those last couple of minutes before the sun disappears behind the horizon seem exceptionally fast. This was written during the 1980s and is part of the collection titled Love, Feelings and the Seasons of Life, which is looking for a publisher.
Tuesday, January 7, 2020
Where's the Sense, Lord?
Where's the Sense, Lord?
by Robin Shwedo
©: Robin Shwedo, 1988
Where's the sense, Lord?
The news is on:
Tornadoes have devastated a town,
killing adults, old people, children, babies.
An avalanche in Colorado has buried a section of road,
leaving people wondering if their cars are to be their tombs.
And then, a child, 12, missing since Friday
when she got off the school bus.
It's Monday now.
The police suspect foul play.
Where's the sense, Lord?
This was a group of poem/prayers written while I was trying to finish up at St. Petersburg (Florida) College during the mid- to late- 1980s. Most of the poem/prayers were written in the main campus's cafeteria over cups of coffee.
There was several TVs around the divided cafeteria, frequently with the news on. This was written after seeing several depressing news stories.
This is from the Prayers from an Average Person section of Poetry Unassigned, currently looking for a publishing home.
by Robin Shwedo
©: Robin Shwedo, 1988
Where's the sense, Lord?
The news is on:
Tornadoes have devastated a town,
killing adults, old people, children, babies.
An avalanche in Colorado has buried a section of road,
leaving people wondering if their cars are to be their tombs.
And then, a child, 12, missing since Friday
when she got off the school bus.
It's Monday now.
The police suspect foul play.
Where's the sense, Lord?
This was a group of poem/prayers written while I was trying to finish up at St. Petersburg (Florida) College during the mid- to late- 1980s. Most of the poem/prayers were written in the main campus's cafeteria over cups of coffee.
There was several TVs around the divided cafeteria, frequently with the news on. This was written after seeing several depressing news stories.
This is from the Prayers from an Average Person section of Poetry Unassigned, currently looking for a publishing home.
Monday, January 6, 2020
RAINY DAY, FROM A COFFEE SHOP
RAINY DAY, FROM A COFFEE SHOP
by Robin Shwedo
©: Robin Shwedo, 1996
Sitting here,
on a stool,
in a coffee shop,
watching the rain
snaking down the window,
pouring down,
smacking hard the road,
I feel disconnected,
vaguely alone,
while utterly attuned with all of life.
The dream-like state I’m zoned into
is like an old movie
black-and-white
Casablanca, maybe,
or something of that caliber.
Inside the shop is cocoon warm,
fogging the windows
slightly
which,
along with the rain
slithering down the windows,
makes the passing world appear surreal,
in a wavy
watery way.
A woman attempting to cross the street
carries packages
and a large umbrella;
it resembles a large flower:
ochre and gold in the center,
orange petals radiating to keep one dry,
while the bright green handle
is anchored to her hand.
People,
scurrying up and down the sidewalks
and across the streets,
are arranged in layers of brightly colored rain garb
over everyday clothes,
while long black, brown and grey trench coats
protect business suits.
A small child pulls loose from a parental hand
long enough to stomp and kick
splashingly
in a puddle.
Cars inch their way down the avenues and roads,
mains and alleys,
avoiding shallow lakes on road edges,
trying not to
slip
sloshingly
skid and
slide.
The various shades of grey
are like wet velvet
and water colors dripping off the pages,
streaks sliding down the glass,
dark around the edges,
lighter, soft and warm near the centers.
Slowly,
as the rain and cloud darkened afternoon
deepens into twilight,
bright and deep neon lights flicker
on
off
and finally
solidly
on,
their reflections dancing,
shimmering,
waving,
in the puddles,
pools
and wetness,
sensuous reds,
emerald greens,
passionate purples,
royal blues.
Cars haltingly
stop
and
startingly
inch
then
surge
along the roads,
headlights and taillights leaving long reflections
ahead and behind.
I lean towards the window
by the booth I sit at,
blow a puff of air,
fogging a patchy circle,
quickly drawing a flower
before it fades;
then,
leaning back,
I take a long
warm
drink of steamy cappuccino.
It’s amazing how cocooned
you can feel
on a rainy colorful wet day like this.
I drove cab for a few years, and wrote this while waiting for a fare on a cab stand outside a mall on a rainy day. The lights from the shops, the cars both in the parking lot and nearby streets, the people walking to their cars: all added to the mood of the day.
This is part of my collection titled Revolutionary Broads and Other Nightmares.
by Robin Shwedo
©: Robin Shwedo, 1996
Sitting here,
on a stool,
in a coffee shop,
watching the rain
snaking down the window,
pouring down,
smacking hard the road,
I feel disconnected,
vaguely alone,
while utterly attuned with all of life.
The dream-like state I’m zoned into
is like an old movie
black-and-white
Casablanca, maybe,
or something of that caliber.
Inside the shop is cocoon warm,
fogging the windows
slightly
which,
along with the rain
slithering down the windows,
makes the passing world appear surreal,
in a wavy
watery way.
A woman attempting to cross the street
carries packages
and a large umbrella;
it resembles a large flower:
ochre and gold in the center,
orange petals radiating to keep one dry,
while the bright green handle
is anchored to her hand.
People,
scurrying up and down the sidewalks
and across the streets,
are arranged in layers of brightly colored rain garb
over everyday clothes,
while long black, brown and grey trench coats
protect business suits.
A small child pulls loose from a parental hand
long enough to stomp and kick
splashingly
in a puddle.
Cars inch their way down the avenues and roads,
mains and alleys,
avoiding shallow lakes on road edges,
trying not to
slip
sloshingly
skid and
slide.
The various shades of grey
are like wet velvet
and water colors dripping off the pages,
streaks sliding down the glass,
dark around the edges,
lighter, soft and warm near the centers.
Slowly,
as the rain and cloud darkened afternoon
deepens into twilight,
bright and deep neon lights flicker
on
off
and finally
solidly
on,
their reflections dancing,
shimmering,
waving,
in the puddles,
pools
and wetness,
sensuous reds,
emerald greens,
passionate purples,
royal blues.
Cars haltingly
stop
and
startingly
inch
then
surge
along the roads,
headlights and taillights leaving long reflections
ahead and behind.
I lean towards the window
by the booth I sit at,
blow a puff of air,
fogging a patchy circle,
quickly drawing a flower
before it fades;
then,
leaning back,
I take a long
warm
drink of steamy cappuccino.
It’s amazing how cocooned
you can feel
on a rainy colorful wet day like this.
I drove cab for a few years, and wrote this while waiting for a fare on a cab stand outside a mall on a rainy day. The lights from the shops, the cars both in the parking lot and nearby streets, the people walking to their cars: all added to the mood of the day.
This is part of my collection titled Revolutionary Broads and Other Nightmares.
Friday, January 3, 2020
PASSION AND A GOOD MAN
PASSION AND A GOOD MAN
by Robin Shwedo
©: Robin Shwedo, 1995
I want Passion and a good man.
Yes, I know that seems
a contradiction in terms,
but that is what I want.
And yet,
when I think of Passion,
I think of colorful men -
in blue jeans and flannel,
who clean up nicely,
dressing up in Armani suits,
or brightly good shirts and suede jackets,
but still colorful in their passion,
men who are the male equivalent of a “wild woman”,
who have no fear of
tender candle-lit dinners on the beach
under the stars,
the waves crashing nearby,
followed by a night of
exhausting
exhilarating passion.
And yet,
these are the same ones
who seem destined to walk in the morning,
heading out the door,
no questions or explanations.
Flip side
are the good men,
the ones with the eager smiles
and have-to-please-you attitudes,
who tell you what giving you an hour-long back rub
would be their pleasure,
and that they wouldn’t try “anything else”,
their boyish smiles
and clean-cut demeanor too good to be true.
A woman knows she can trust him to Do Right,
keeping her safe,
without leaving her in the morning.
But what I really want is Passion and a Good Man.
If I ever find him...
This is part of my book of poetry Revolutionary Broads and Other Nightmares, which is looking for a publisher.
I wrote this poem while driving cab for a living. One of my male co-workers once asked me and another female driver what women wanted in a man. This was the answer, in a light-hearted way. Of course, there's more, but it was a start.
by Robin Shwedo
©: Robin Shwedo, 1995
I want Passion and a good man.
Yes, I know that seems
a contradiction in terms,
but that is what I want.
And yet,
when I think of Passion,
I think of colorful men -
in blue jeans and flannel,
who clean up nicely,
dressing up in Armani suits,
or brightly good shirts and suede jackets,
but still colorful in their passion,
men who are the male equivalent of a “wild woman”,
who have no fear of
tender candle-lit dinners on the beach
under the stars,
the waves crashing nearby,
followed by a night of
exhausting
exhilarating passion.
And yet,
these are the same ones
who seem destined to walk in the morning,
heading out the door,
no questions or explanations.
Flip side
are the good men,
the ones with the eager smiles
and have-to-please-you attitudes,
who tell you what giving you an hour-long back rub
would be their pleasure,
and that they wouldn’t try “anything else”,
their boyish smiles
and clean-cut demeanor too good to be true.
A woman knows she can trust him to Do Right,
keeping her safe,
without leaving her in the morning.
But what I really want is Passion and a Good Man.
If I ever find him...
This is part of my book of poetry Revolutionary Broads and Other Nightmares, which is looking for a publisher.
I wrote this poem while driving cab for a living. One of my male co-workers once asked me and another female driver what women wanted in a man. This was the answer, in a light-hearted way. Of course, there's more, but it was a start.
Wednesday, January 1, 2020
DAYS LIKE THIS
DAYS LIKE THIS
by Robin Shwedo
©: Robin Shwedo, 1996
Days like this,
I think straight lines are the most wonderful things.
True,
the scenery is mundane,
the colors somewhat mute,
when compared to wild roller coaster ups and downs,
but the ride is so much safer.
The “down” days, the ride is like this:
you “drag ass”, not able to get up,
not quite having all the gears “mesh”,
but an outer force keeps you going,
moving;
you let it because,
if you stop,
even for a second,
you’ll never move.
Ever.
Again.
Sounds are muted, distorted;
those that are loud enough to come through startle
with their bone-jarring
teeth-gritting noise.
Colors appear darker;
dark green leaves on brown-black trees
emit deep endless shadows
that threaten to drown you,
even as the branches menacingly reach for you.
The huge white clouds appear malicious,
creating looming faces which change to suite your mood.
Night arrives,
threatening to envelope you in its thick alive darkness.
Days on end grow dimmer and greyer,
almost unnerving in their endless progression,
when suddenly,
you feeling yourself
as you come close to drowning
hit bottom,
sink slightly,
then push off against the
bumpy hardness beneath you.
Suddenly - sometimes -
but oh, so surely,
you break through the foggy film into sunshine.
Wonderful sunshine!
There it is!
The sounds! The joyous sounds!
Birds singing, children laughing,
dogs barking, railroad crossings clanging
as the trains roar up the track,
puffing, chugging,
whistles blowing,
wheels turning,
engineers waving at
small children waving back.
Colors!
Yes, everywhere magnificent colors!
Even in the blackest night
and rainiest days,
the neon lights are alive,
dancing,
calling to you,
singing, “Here we are!
And There you are!
Hello!
Hello!”
The smells of roses!
Coffee floating out of open shops,
colorful sounds,
wonderful smells,
laughing sights,
everything’s so “up,
you’ll never come back down.
Yup, there’s something to be said for straight lines.
This was written years ago and is part of Revolutionary Broads and Other Nightmares, which is looking for a publisher.
by Robin Shwedo
©: Robin Shwedo, 1996
Days like this,
I think straight lines are the most wonderful things.
True,
the scenery is mundane,
the colors somewhat mute,
when compared to wild roller coaster ups and downs,
but the ride is so much safer.
The “down” days, the ride is like this:
you “drag ass”, not able to get up,
not quite having all the gears “mesh”,
but an outer force keeps you going,
moving;
you let it because,
if you stop,
even for a second,
you’ll never move.
Ever.
Again.
Sounds are muted, distorted;
those that are loud enough to come through startle
with their bone-jarring
teeth-gritting noise.
Colors appear darker;
dark green leaves on brown-black trees
emit deep endless shadows
that threaten to drown you,
even as the branches menacingly reach for you.
The huge white clouds appear malicious,
creating looming faces which change to suite your mood.
Night arrives,
threatening to envelope you in its thick alive darkness.
Days on end grow dimmer and greyer,
almost unnerving in their endless progression,
when suddenly,
you feeling yourself
as you come close to drowning
hit bottom,
sink slightly,
then push off against the
bumpy hardness beneath you.
Suddenly - sometimes -
but oh, so surely,
you break through the foggy film into sunshine.
Wonderful sunshine!
There it is!
The sounds! The joyous sounds!
Birds singing, children laughing,
dogs barking, railroad crossings clanging
as the trains roar up the track,
puffing, chugging,
whistles blowing,
wheels turning,
engineers waving at
small children waving back.
Colors!
Yes, everywhere magnificent colors!
Even in the blackest night
and rainiest days,
the neon lights are alive,
dancing,
calling to you,
singing, “Here we are!
And There you are!
Hello!
Hello!”
The smells of roses!
Coffee floating out of open shops,
colorful sounds,
wonderful smells,
laughing sights,
everything’s so “up,
you’ll never come back down.
Yup, there’s something to be said for straight lines.
This was written years ago and is part of Revolutionary Broads and Other Nightmares, which is looking for a publisher.
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